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Picture-perfect wildlife: Royal B.C. Museum exhibit features top 100 photos of the year

It took a telephoto camera lens and leaning awkwardly over the side of a boat, but the resulting image of a loon and chick has carved Richmond-based photographer Jess Findlay a place among the best in the world.
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Richmond photographer Jess Findlay discusses his image Fitting the Bill, a picture of a loon and its chick that is part of the 2019 Wildlife Photographer of the Year exhibit opening Feb. 15 at the Royal B.C. Museum.

It took a telephoto camera lens and leaning awkwardly over the side of a boat, but the resulting image of a loon and chick has carved Richmond-based photographer Jess Findlay a place among the best in the world.

鈥淚 had to lean out and down over the side of the already-low fly-fishing boat,鈥 Findlay, 26, said Thursday. 鈥淭hen it was not the easiest process to lower the several-thousand-dollar lens over the water to get this unique angle, right at the bird鈥檚 eye level.鈥

Findlay was speaking at the Royal B.C. Museum, where his picture, titled Fitting the Bill, is featured in the Wildlife Photographer of the Year exhibit opening today for a six-week run, its only appearance in Western Canada.

Now in its 54th year, the annual international show contains 100 images selected by a panel of judges from more than 50,000 submitted.

The show is curated by the Natural History Museum in London. Viewers are offered enlarged backlit images with a few words describing the picture and how it was captured by the photographer.

Joanne Orr, deputy CEO of the Royal B.C. Museum, said the Wildlife Photographer of the Year exhibit is an annual favourite.

Orr said the images contain more than reflections of the Earth鈥檚 beauty.

They also provoke viewers to consider their own roles on the planet.

鈥淭hese images challenge us to consider our place in the natural world and our responsibility to protect it,鈥 she said. 鈥淚t鈥檚 a responsibility British Columbians take very seriously.鈥

Findlay said he has spent years visiting the lake in the Cariboo where the loon picture was snapped, photographing the birds and their chicks. (He declined to reveal the lake鈥檚 name to protect the birds from too many visitors.)

鈥淚 believe they have come to know and trust us and our boats and even leave us alone with their chicks,鈥 he said. 鈥淭hat would allow us to get into position with our lens low over the water.鈥

He said the loons鈥 winter plumage, seen regularly on the sea off Victoria, is plain. But in the spring and early summer, they develop spectacular black and white patterns and iridescence around the head.

When the chicks are young, the parents must catch small prey for them, beginning with nymphs and water insects before they progress to small fish.

Findlay said the loon will shuttle back and forth, diving in the shallows to catch a bug, then returning and surfacing near the floating chick to offer the food morsel.

鈥淭he level of diligence and care these parents show is completely amazing,鈥 he said.

Findlay said he prefers to snap pictures at the eye levels of his subject.

For the loons, that meant catching the parent as the chick would see it during those few seconds the adult took to surface, feed the chick and dive again for another morsel.

鈥淵ou have only a few moments where they surface on the top of the water and the hungry chick consumes the prey,鈥 he said.

The loon photo also offers a unique view of a visually interesting bird, said Findlay.

鈥淭hey look very regal and sleek from the side,鈥 he said. 鈥淏ut when you see them from the baby bird鈥檚 perspective, with food coming in, it really changes their look.

鈥淭hey can look quite bizarre.鈥

The Wildlife Photographer of the Year Exhibit runs until March 24.

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