ON STAGE
What: Kaleidoscope Theatre presents The Giver
When: Saturday Feb. 23 and Sunday Feb. 24, 2 p.m.
Where: McPherson Playhouse
Tickets: $22 for adults, and $12 for children 16 and under at the McPherson Playhouse box office at 250-386-6121 or online at
It鈥檚 been more than 25 years since Lois Lowry wrote The Giver, a dystopian tale about a 12-year-old boy growing up in a community that values 鈥渟ameness鈥� and frowns upon differences and individuality.
Despite the passage of time, the novel for young adults remains as popular and controversial as ever, a staple of middle-school reading lists and a regular on the American Library Association鈥檚 lists of challenged books.
Now, Eric Coble鈥檚 stage adaptation of The Giver is set to make its 91原创 premi猫re with a production by Victoria鈥檚 Kaleidoscope Theatre for Young People at the McPherson Playhouse.
Kaleidoscope鈥檚 stated mission is to present plays that stimulate and inspire young people to think critically about the world around them, and The Giver ticks all those boxes and more, says Roderick Glanville, the company鈥檚 artistic director.
鈥淚t鈥檚 a beautiful story of hope in a time of change,鈥� he says. 鈥淚 think it reflects our current world right now, where we are living in a world of fear and suspicion, and freedom of joy and expression is becoming a challenge.鈥�
Indeed, Lowry鈥檚 story seems eerily prescient in the age of Trump, border walls and rising xenophobia.
In accepting the 1994 Newbery Medal for The Giver, Lowry admitted that she, too, was seduced by the fictional society that she created from her own 鈥渞iver of memories.鈥�
鈥淚t did feel good that world,鈥� she said. 鈥淚 got rid of all the things I fear and dislike 鈥� all the violence, prejudice, poverty and injustice, and I even threw in good manners as a way of life, because I liked the idea of it.
鈥淚t was very, very tempting to leave it at that, but I鈥檝e never been a writer of fairytales and if I鈥檝e learned anything through the 鈥榬iver of memories,鈥� it is that we can鈥檛 live in a walled world, in an only us, only now, world where we are all the same and feel safe.
鈥淲e would have to sacrifice too much. The richness of colour and diversity would disappear, feelings for other humans would no longer be necessary, choices would be obsolete.鈥�
So Lowry allowed her lead character, Jonas, to disturb that world by training to receive the community鈥檚 memories. In the process, he uncovers the truth behind the lie and is forced to make a choice 鈥� something he鈥檚 never had the opportunity to do.
鈥淲hat happens with Jonas in The Giver is that he changes his world and through his change, everything else changes with it,鈥� says Glanville, who directs the Kaleidoscope production.
鈥淲hat I love about this story is that it asks a lot of hard questions. It doesn鈥檛 pull punches, but it doesn鈥檛 hit you in the face. Also, the ending is ambiguous. We鈥檙e not quite sure. Does Jonas actually get away from the community to 鈥榚lsewhere?鈥�
鈥淭hat鈥檚 what鈥檚 beautiful about the theatre, is we get a chance to show that decision and the audience gets to decide: 鈥楧id he make it or not?鈥� 鈥�
The play, which stars Elliott Loran as Jonas and Brian Linds as the Giver, kicks off with two shows for students on Friday, followed by matin茅es Saturday and Sunday.
It鈥檚 a brief run, so you鈥檒l need to move fast if you want to see it, Glanville said.
鈥淎t times, I feel a little sad, because you invest so much in the creation and then it鈥檚 up so quickly and gone so fast. But that鈥檚 just the reality of creating theatre for young audiences in Victoria in this time.鈥�
